Scott Healy continues his study into the techniques of film noir composing, looking at Ellington’s Blue Serge, Elmer Bernstein’s 1957 classic score to Sweet Smell of Success, and dissecting some fascinating approaches to linear harmony.
Scott Healy continues his study into the techniques of film noir composing, looking at Ellington’s Blue Serge, Elmer Bernstein’s 1957 classic score to Sweet Smell of Success, and dissecting some fascinating approaches to linear harmony.