Browse our library of past events.

14th Annual Fans of Film Music

Mark Isham’s Film Noir Score to The Black Dahlia

Orchestration Challenge 2023

The Harmonic Techniques of John Williams’s Action Music

Garry Schyman and the Score to Torn

Stravinsky’s Firebird Suite Part 1

David Newman’s GalaxyQuest

Prepping for the Scoring Stage

John Williams’s Superman Suite Part 3

Workflow Workshop 2: Mocking Up a Score

Workflow Workshop 1: Discord, Cubase, and Dorico

John Williams’s Superman Suite Part 1

Unlocking Unique Percussion Textures in Film Scoring

Preparing for the Podium

James Horner’s Aliens Part 1

Maclaine Diemer and the Music of Guild Wars 2

The Music of Nami Melumad

James Horner’s Sneakers, Part 2

Danny Elfman’s Batman

Independence Day Part 3

James Horner’s Sneakers, Part 1

Independence Day Part 2

Polyphonic Jazz from the 20’s to the 80’s

The Music of Cobra Kai

Independence Day Part 1

Tim Davies and the Music of Maya and the Three

Bernard Herrmann and Jerry Goldsmith in The Twilight Zone

Composer to Conductor

Bernard Herrmann’s The Day The Earth Stood Still

John Powell’s How to Train Your Dragon

The Music of Netflix’s Ginny & Georgia

Star Wars: The Clone Wars with Kevin Kiner

Bernard Herrmann’s Taxi Driver

Jermaine Stegall and the Music of Coming 2 America

Jeremy Levy’s Planets Reimagined

Nestico, Basie, and the Kansas City Sound

Back to the Future Episode 2

Tchaikovsky’s Nutcracker Episode 2

Back to the Future Episode 1

Westworld Scoring Competition Winners Roundtable

Psycho: A Look at Bernard Herrmann’s Genre-Defining Score

A Conversation with John Powell

James Horner’s Apollo 13 Part 4

James Horner’s Apollo 13 Part 3

Writing, Orchestrating, and Recording Strings

James Horner’s Apollo 13 Part 2

James Horner’s Apollo 13 Part 1

Alex North’s Rejected Score to 2001: A Space Odyssey

Alex North: The Misfits

Asteroid Field: A Star Wars Score Study

Joshua Moshier and the Music of FX’s Baskets

Quantum Harmony

Steinberg’s Dorico: A Look at Music Notation in 2020 and Beyond

Michael Abels and the Music of US

A Conversation with the Riot Games Music Team

A Conversation with Jeff Russo

The Art of Live-to-Picture Film Score Performances

Danny Elfman’s Nightmare Before Christmas

A Conversation with Bear McCreary

Blue Serge, Elmer Bernstein, and Film Noir Part 2

Jeff Beal, House of Cards, and Film Noir

Storytelling with John Ottman

Debussy’s La Mer (Episode 8)

Haim Mazar and the Wonderful World of Disney

John Williams’s Jurassic Park

Bernard Herrmann and Alfred Hitchcock: The Composer-Director Relationship

Bernard Herrmann’s North by Northwest

Kris Bowers and the Music of Green Book

Debussy’s La Mer (Episode 7)

Inon Zur and the Sound of the Fallout Games

Jazz in Film Noir

The Music of Ray Donovan with Composer Marcelo Zarvos

Ravel Challenge 2019 with Thomas Goss

Debussy’s La Mer (Episode 6)

Austin Wintory and the Music of The Banner Saga

Debussy’s La Mer (Episode 5)

Scoring Under Dialogue with Alan Derian

Jeff Babko

Linear Harmony and Black Bottom Stomp

Debussy’s La Mer (Episode 4)

Arranging for Bern Bern Bern

Drummer Bernie Dresel

Jerry Goldsmith’s Planet of the Apes

Nathan Barr and the FOX Studio Organ

Debussy’s La Mer (Episode 3)

Conducting to Picture

Debussy’s La Mer (Episode 2)

Christopher Willis and The Death of Stalin

NYFA Composer/Filmmaker Panel

Birth of the Cool

Drummer Paul Peress

Debussy’s La Mer (Episode 1)

Italian Composer Carlo Siliotto

Resphigi’s Pines of Rome

Joe Kraemer and the Music of Mission Impossible: Rogue Nation

Black, Brown, and Beige: Bitches and Brews

Mervyn Warren

Grant Geissman

Composer’s Intent

Tim Davies