Browse our library of past events. View: All | Score Studies | Guest Interviews | INFOrums | Ellington Studies 14th Annual Fans of Film Music Mark Isham’s Film Noir Score to The Black Dahlia Orchestration Challenge 2023 The Harmonic Techniques of John Williams’s Action Music Garry Schyman and the Score to Torn Stravinsky’s Firebird Suite Part 1 David Newman’s GalaxyQuest Prepping for the Scoring Stage John Williams’s Superman Suite Part 3 Workflow Workshop 2: Mocking Up a Score Workflow Workshop 1: Discord, Cubase, and Dorico John Williams’s Superman Suite Part 1 Unlocking Unique Percussion Textures in Film Scoring Preparing for the Podium James Horner’s Aliens Part 1 Maclaine Diemer and the Music of Guild Wars 2 The Music of Nami Melumad James Horner’s Sneakers, Part 2 Danny Elfman’s Batman Independence Day Part 3 James Horner’s Sneakers, Part 1 Independence Day Part 2 Polyphonic Jazz from the 20’s to the 80’s The Music of Cobra Kai Independence Day Part 1 Tim Davies and the Music of Maya and the Three Bernard Herrmann and Jerry Goldsmith in The Twilight Zone Composer to Conductor Bernard Herrmann’s The Day The Earth Stood Still John Powell’s How to Train Your Dragon The Music of Netflix’s Ginny & Georgia Star Wars: The Clone Wars with Kevin Kiner Bernard Herrmann’s Taxi Driver Jermaine Stegall and the Music of Coming 2 America Jeremy Levy’s Planets Reimagined Nestico, Basie, and the Kansas City Sound Back to the Future Episode 2 Tchaikovsky’s Nutcracker Episode 2 Back to the Future Episode 1 Westworld Scoring Competition Winners Roundtable Psycho: A Look at Bernard Herrmann’s Genre-Defining Score A Conversation with John Powell James Horner’s Apollo 13 Part 4 James Horner’s Apollo 13 Part 3 Writing, Orchestrating, and Recording Strings James Horner’s Apollo 13 Part 2 James Horner’s Apollo 13 Part 1 Alex North’s Rejected Score to 2001: A Space Odyssey Alex North: The Misfits Asteroid Field: A Star Wars Score Study Joshua Moshier and the Music of FX’s Baskets Quantum Harmony Steinberg’s Dorico: A Look at Music Notation in 2020 and Beyond Michael Abels and the Music of US A Conversation with the Riot Games Music Team A Conversation with Jeff Russo The Art of Live-to-Picture Film Score Performances Danny Elfman’s Nightmare Before Christmas A Conversation with Bear McCreary Blue Serge, Elmer Bernstein, and Film Noir Part 2 Jeff Beal, House of Cards, and Film Noir Storytelling with John Ottman Debussy’s La Mer (Episode 8) Haim Mazar and the Wonderful World of Disney John Williams’s Jurassic Park Bernard Herrmann and Alfred Hitchcock: The Composer-Director Relationship Bernard Herrmann’s North by Northwest Kris Bowers and the Music of Green Book Debussy’s La Mer (Episode 7) Inon Zur and the Sound of the Fallout Games Jazz in Film Noir The Music of Ray Donovan with Composer Marcelo Zarvos Ravel Challenge 2019 with Thomas Goss Debussy’s La Mer (Episode 6) Austin Wintory and the Music of The Banner Saga Debussy’s La Mer (Episode 5) Scoring Under Dialogue with Alan Derian Jeff Babko Linear Harmony and Black Bottom Stomp Debussy’s La Mer (Episode 4) Arranging for Bern Bern Bern Drummer Bernie Dresel Jerry Goldsmith’s Planet of the Apes Nathan Barr and the FOX Studio Organ Debussy’s La Mer (Episode 3) Conducting to Picture Debussy’s La Mer (Episode 2) Christopher Willis and The Death of Stalin NYFA Composer/Filmmaker Panel Birth of the Cool Drummer Paul Peress Debussy’s La Mer (Episode 1) Italian Composer Carlo Siliotto Resphigi’s Pines of Rome Joe Kraemer and the Music of Mission Impossible: Rogue Nation Black, Brown, and Beige: Bitches and Brews Mervyn Warren Grant Geissman Composer’s Intent Tim Davies 1 2 3 Next »
