Is this what the film needs? Is this what the director meant? How many days do I have left? How can anyone be creative with these questions constantly attacking their psyche? How can we guarantee the score will be finished on time when we don’t have an inkling of what to write? Certainly we know that a score cannot be brilliant enough to offset being incomplete at delivery! It must be finished. This class talks of a method for fostering both creativity and efficiency when creating 30 or 40 cues for a film.