Join us on Saturday, December 3rd for our first Score Prep Workflow Workshop, where we'll take a look at the techniques and processes our ASA volunteers use to prep the scores we study at our events. We'll dive in-depth into Steinberg's Dorico music notation software and discuss our approach to tempo mapping, note inputting, formatting, […]
We had a blast dissecting the villain theme at our first Superman score study event, so much so that we ran out of time! It was an invigorating discussion, focusing on Williams’ clever use of dissonance and scales to represent the characters of Lex Luthor and Otis. On Saturday, December 10th, we'll continue our exploration […]
After our first Workflow Workshop (available at scoringarts.com) which focused on our score prep, we’re offering a second installment of the Workflow Workshop, this time discussing the ASA's approach to creating mockups for our score study events. We will revisit the use of tempo maps, learn how to handle imported MIDI, and explore various tools and […]
Our original Superman event back in November has spawned a trilogy of studies! The symphonic suite from John Williams’s Superman started with the villain theme (Lex Luthor and Otis), which consumed our first study, then the love theme (“Can You Read My Mind”) which occupied our second study, and now we’re on to the third […]
Join us on Saturday, March 18 as we examine Jerry Goldsmith’s seven-minute overture to Mulan. Veteran ASA members know that we love taking apart a Goldsmith score, and this Academy Award nominated score offers a rich treasure trove into the fantasy writing that perfectly marries Disney with Jerry. We’ll play back the score and talk […]
The Academy of Scoring Arts is ready to kick off a new long-form study, looking at one of the greatest musical innovators of the 20th century, Igor Stravinsky, and the suite from his 1910 ballet, The Firebird. Written for Sergei Diaghilev’s Ballets Russes company, it was the first of several momentous collaborations between the two […]
On Saturday, July 29, we’ll be continuing our journey into one of the 20th century’s greatest works, Igor Stravinsky’s Firebird Suite. Written for Sergei Diaghilev’s Ballets Russes company in 1910, it was the first of several momentous collaborations between the two men, and interestingly, was before Stravinsky rose to fame. In May, we started our […]
Join us for a detailed exploration of John Williams' action music with film music scholar and educator, Mark Richards. Through several decades of study and published research Dr. Richards has uncovered an array of harmonic techniques Williams utilizes for his action writing, including the employment of more exotic scales such octatonic, hexatonic, an Hungarian minor […]
We had a blast at our event on September 23rd at Laemmle Theater in North Hollywood! A huge thank you to Thomas Goss for his valuable insight, the musicians for playing beautifully, and all of the composers for completing the challenge. We had several composers who submitted pieces and the quality of work was incredibly […]
Join us as we take a close look at Joe Hisaishi's remarkable score for "Howl's Moving Castle.” As the iconic musical voice behind almost every film to come out of Japan’s famed Studio Ghibli, Hisaishi's collaboration with legendary filmmaker Hayao Miyazaki has birthed some of the most evocative soundtracks in animated film history. We will […]